INTERVIEWS, REVIEWS & RELATED ARTICLES
Reuters MARCH 1, 2009 - by Mike Collett-White
U2 ALBUM A HIT, BUT BONO A MISS
Irish band U2 releases its twelfth studio album on Monday and while reviews are generally glowing, critics argue that lead singer Bono's dual role as rock star and campaigning "saviour" may be meddling with the music.
No Line On The Horizon hits the shelves in Europe on Monday and in the United States on Tuesday, and, as one of 2009's biggest record launches, will be closely watched by a business seeking to reverse deep declines in album sales.
No one believes U2 alone can save the music industry, just as no one believes Bono alone can alleviate global poverty. But there is plenty riding on the group's first album in over four years being released by Vivendi's Universal Music Group label.
An early contender for biggest record of the year before it even goes on sale, No Line On The Horizon has been described as the band's most experimental album since 1991 and possibly its best since then.
"Simply, what all of this amounts to is the best U2 album since Achtung Baby," wrote Q magazine at the end of a five-star review. "With time it may prove to be better still."
Rolling Stone magazine also awarded it five stars, Mojo magazine four.
No Line On The Horizon is produced by Brian Eno and Daniel Lanois, who collaborated with the band on 1984's The Unforgettable Fire and its biggest album to date, The Joshua Tree, which went on to sell an estimated twenty-five million copies.
U2's last record, How To Dismantle An Atomic Bomb, sold nine million copies worldwide.
The band spent Friday on a hectic promotional campaign, giving radio interviews, playing a gig to a small number of fans at the BBC's central London offices and later playing on the roof before thousands of fans, some of them from abroad.
U2 played Get On Your Boots and Magnificent from the new album and, appropriately, Vertigo. Bono earlier announced the group would go on tour in the summer.
The eleven-track album was recorded in Morocco, Dublin, London and New York and the songs tackle familiar themes of love, war, hope, and, perhaps more than ever, being Bono. The U2 frontman has long juggled a dual career of rock superstar and high-profile campaigner, badgering world leaders and businessmen to fight everything from AIDS to poverty.
There are those who feel his mission is beginning to hinder the harmony, alienating potential fans and colouring everything that U2 does.
"It's becoming increasingly difficult to hear U2's music without filtering it through your feelings about the other Bono, that strident, sanctimonious swirl of idealism, agenda and ego," J. Freedom du Lac wrote in The Washington Post.
He does, however, say No Line On The Horizon is "at times magnificent".
In a mixed review, Pete Paphides of The Times goes so far as to say: "Next time... Bono might want to use his powers of diplomacy to the benefit of his band."
The singer is aware of the criticism and reports that his own bandmates can find his tireless campaigning irksome.
In Stand Up Comedy he appears to poke fun at himself with the lyrics: "Stand up to rock stars / Napoleon is in high heels / Josephine, be careful of small men with big ideas."
"It's annoying," he said in a recent radio interview, when asked about his public support for former U.S. President George W. Bush after he pledged money to fight AIDS.
"It's not becoming is it? I can take the bottles and the rocks and the embarrassment to my bandmates here, but I'm staying that most annoying of things, a single-issue protagonist."