INTERVIEWS, REVIEWS & RELATED ARTICLES
"Craft is what enables you to be successful
when you're not inspired." - Brian Eno
Elsewhere JUNE 25, 2007 - by Graham Reid
BRIAN ENO: BEFORE AND AFTER SCIENCE
Of the many dozens of diverse albums by Brian Eno - who flared onto the music scene for the first two glam-louche Roxy Music albums - this is the best window into his remarkable career.
As a producer he was pivotal in the work of David Bowie, Devo, Talking Heads, U2 among many others. But he also created seminal albums of ambient music (music as ignorable as it is enjoyable), helmed his own Obscure label, soundtracks, music for art installations, and bent pop.
This exceptional album has elements of all of those: the jerky, tense and angular King's Lead Hat was a nod of approval to the then-little known Talking Heads (the title is an anagram of their name); Kurt's Rejoinder is referenced in the found and abstract art of Dadaist Kurt Schwitters (there are samples, ambiguous and strange lyrics woven through the incessant rhythm) and everywhere there are sonic delights such as processed sounds, the fretless bass of Percy Jones, and strange synthesiser.
But what comes through most of all is a gentle and warm humanity in the instrumental tracks Energy Fools The Magician and Through Hollow Lands; the gorgeously optimistic Here He Comes; and a seductive pastoral feel on Julie With... and minimalist By This River (with the German duo Cluster, with whom he also collaborated to great effect).
The final track Spider and I is a holy moment befitting a Zen-inspired William Blake.
Before And After Science can act as Eno's calling card: if you prefer the instrumentals or gently atmospheric tracks you should then head towards albums such as Apollo, the Music For Films series, and his collaborations with avant-garde composer and experimentalist Harold Budd (to whom Through Hollow Lands is dedicated) or trumpeter Jon Hassell.
And all these set you up for his ground-breaking trilogy with Bowie from this period - Low, "Heroes" and the often-overlooked Lodger. Or the prescient My Life In The Bush Of Ghosts from '81 with David Byrne of Talking Heads which was years ahead of the game in its use of samples and found voices from radio broadcasts.
An album essential in any Elsewhere collection.