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"Craft is what enables you to be successful
when you're not inspired." - Brian Eno
BBC FEBRUARY 26, 2010 - by Jo Youle
ENO EXPERIMENTS WITH COLDPLAY
The producer tries out different band combo's to get new 'fresh' sound
Brian Eno has revealed he is back working with Coldplay on their fifth album.
This week saw Brian unveiled as guest artistic director of the forty-forth Brighton festival. It will see him heavily involved curating, presenting, lecturing and performing during the month of May.
Earlier this week Coldplay front man Chris Martin revealed to a Brazilian TV crew, he hoped the album would be out by Christmas, which Eno agrees could be possible:
"I think it could be. It's quite different from anything they've done before I think, so far anyway. I don't know how it will end up being, but it's very fresh."
He felt giving the rest of the band space to experiment without any vocals was key to widening the scope of their sound and the ability to explore all their options.
This time round he says he will do the same, but also try out different band pairings to see what they come up with:
"I think that if you have a group of four people, that's lots of possible combinations. You can have any one of them on their own, and you can have lots of couples within that four. A and B, A and C, A and D. I think every one of those is a unique musical entity that will produce something unique."
While he does admit Chris Martin is a very 'inspired and dominant personality' within the band, he says the aim is not just to stop him having a steer on things:
"It's not rocket science, and it's not Svengali-ism either. It's not some attempt to subvert the band, but just to see what other possibilities are lurking within them that might not come out within their normal working situations.
"If you head to Coldplay's blog on their website, it makes it clear Brian has met his match, in four very willing participants:
"A single song can exist in several very different forms all within the same day. The mood can go from elation at striking upon a new melody, to a complete loss of confidence and then back to "I can't wait 'til Brian hears this" all within a few hours. The rate of progress is astonishing."